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Bossa nova (
pronunciation (help·info)) is a style of Brazilian music popularized by Antônio Carlos Jobim, Vinicius de Moraes and João Gilberto. Bossa nova (which is Portuguese for "new trend") acquired a large following, initially by young musicians and college students.[1] Although the bossa nova movement only lasted six years (1958–63), it contributed a number of songs to the standard jazz repertoire.
Additional info
100.4 Jazz FM
100.4 Jazz FM (launched as JFM) was an independent local radio station for the North West England playing jazz music. 100.4 Jazz FM played its own music from its Salford studio during the day, whereas specialist shows like Dinner Jazz and Legends of Jazz with Ramsey Lewis were networked from London's 102.2 Jazz FM. The station was replaced by Smooth FM 100.4 in 2004.102.2 Jazz FM
102.2 Jazz FM (also known as London Jazz Radio and JFM) was a local jazz and soul music station for London run by GMG Radio. The station was based and broadcast from Castlereagh Street[1] in London to around 15.5 million people within the broadcasting area.[2] The station has experimented with its core playlist over its fifteen year history, incorporating smooth jazz, mainstream jazz, soul, jazz fusion, acid jazz, blues and rhythm and blues. In 1994 the station changed its name to JFM to encourage more listeners who were put off by the 'Jazz' in the stations name. Richard Wheatly was appointed to turn around the station in 1995 when there was only three months money left to run the station.[3] Wheatly made a number of sweeping changes to the playlist, selling a sister station and changing the name back to Jazz FM, as well as starting up a record label and spin-off business deals and opportunities which helped Jazz FM swing into the black and make a profit in 2001.[4]Acid jazz
Acid jazz is a musical genre that combines elements of jazz, funk and hip-hop[1], particularly looped beats. It developed in the UK over the 1980s and 1990s and could be seen as tacking the sound of jazz-funk onto electronic dance/pop music: jazz-funk musicians such as Roy Ayers, Donald Byrd and Grant Green are often credited as forerunners of acid jazz.[2] Acid jazz has also experienced minor influences from soul music, house music and disco.Acoustic bass guitar
The acoustic bass guitar (also called ABG or acoustic bass) is a bass instrument with a hollow wooden body similar to, though usually somewhat larger than a steel-string acoustic guitar. Like the traditional electric bass and the double bass, the acoustic bass guitar commonly has four strings, which are normally tuned E-A-D-G, an octave below the lowest four strings of the 6-string guitar, which is the same tuning pitch as an electric bass.Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (January 25, 1927 in Rio de Janeiro – December 8, 1994 in New York), also known as Tom Jobim, was a Grammy Award-winning Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. A primary force behind the creation of the bossa nova style, his songs have been performed by many singers and instrumentalists within Brazil and internationally.Antonio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (January 25, 1927 in Rio de Janeiro – December 8, 1994 in New York), also known as Tom Jobim, was a Grammy Award-winning Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. A primary force behind the creation of the bossa nova style, his songs have been performed by many singers and instrumentalists within Brazil and internationally.Astrud Gilberto
Astrud Gilberto (born March 29, 1940) is a Brazilian singer best known for her samba and bossa nova music, most famously as the vocalist on the Grammy Award-winning song "The Girl from Ipanema".Avant-garde jazz
Avant-garde jazz (also known as avant-jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. Avant-jazz often sounds very similar to free jazz, but differs in that, despite its distinct departure from traditional harmony, it has a predetermined structure over which improvisation may take place. This structure may be composed note for note in advance, partially or even completely.BYG Actuel
BYG Actuel was a French record label specialising in free jazz. The label was founded in March 1967 by Jean Georgakarakos (usually known as "Karakos"), Jean-Luc Young and Fernand Boruso. The name of the label was formed from the initial letters of the founders' surnames. Karakos had previously established himself as a record distributor and importer, while Young worked for Barclay Records and Boruso for Saravah, the record label formed by filmmaker Claude Lelouch. The label was notable for inviting a large number of American free jazz musicians to Paris to record in the summer of 1969, a time when they were receiving little support or attention in the United States. Many of these musicians were already overseas at the time, having appeared at the Pan-African Music Festival in Algiers in July 1969.[1] (Jazz photographer Jacques Bisceglia was largely responsible for connecting the label and musicians, and the "B" in BYG is often wrongly held to refer to Bisceglia.) The resulting albums are an important repository of free jazz recordings from the period.Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma, USA. He was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians known as The Wrecking Crew.Beat (music)
The beat is the basic time unit of music, the pulse of the mensural level[1], also known as the beat level[2]. However, since the term is in popular use, it often connotes the tempo of a piece or a particular sequence of individual beats, the meter, rhythm or groove. In hip hop and R&B music, the term 'beat' commonly refers to the entire instrumental, non-vocal layer of the song, which is frequently based on a looped recording of a drum-rhythm. It may also refer to particular beats in the measure. Much music is characterised by a sequence of stressed and unstressed beats (often called "strong" and "weak") organised into measures and perhaps indicated by a time signature and tempo indication.